1588-1629 Dutch painter and draughtsman. He was, with Gerrit van Honthorst and Dirck van Baburen, one of the leading painters in the group of artists active in Utrecht in the 1620s who came to be known as the UTRECHT CARAVAGGISTI, since they adapted Caravaggio's subject-matter and style to suit the Dutch taste for religious and secular paintings. Ter Brugghen was an important innovator for later Dutch 17th-century genre painting; his recognition as an unorthodox,   Related Paintings of Hendrick the Brugghen :. | Market Scene(Ecce Homo fragment) (mk14) | Bethink death | Der Friede und Plutos | Moaning of the Bulls (mk43) | The Supper at Emmaus |
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Jacob Gerritsz Cuyp
1594-1652 Dutch Jacob Gerritsz Cuyp Locations Painter and draughtsman. Probably taught by his father, he entered the Guild of St Luke in Dordrecht in 1617, the same year that he executed an important commission to portray the masters of the Holland Mint (Dordrecht, Mus. van Gijn). He was the Guild bookkeeper in 1629, 1633, 1637 and 1641 and, according to Houbraken, led Dordrecht fine painters in their separation from the Guild in 1642. Jacob married Aertken van Cooten from Utrecht in 1618; his only child, (3) Aelbert Cuyp, was born two years later.
Ferdinand Georg Waldmuller
Austrian Romantic Painter, 1793-1865 was an Austrian painter and writer. He briefly attended the Academy of Fine Arts Vienna, however later had to finance his life by painting portraits. In 1811 he got a job as a teacher of arts for the children of Count Gyulay in Croatia. After 3 years he returned to Vienna and started to improve his skills by copying the works of old masters. Waldmeller later became interested in nature and thus started painting landscapes (genre painting). His most notable work lies in the depiction of nature, where his sense for colours and large knowledge of nature helped him to achieve masterly skills. In 1823 he made a painting of Ludwig van Beethoven. He was professor at the Academy of Fine Arts Vienna,
LOMBARD, Lambert
Flemish Northern Renaissance Painter, 1505-1566 Flemish painter, draughtsman, architect, humanist and numismatist. He belonged to the generation of artists who sought to revive Flemish painting by turning to the art of antiquity and the Italian Renaissance. However, because of his northern training, he assimilated his models with difficulty and produced a hesitant form of art, one that was academic and cold. He was nonetheless an important innovator in the Low Countries through his investigation of the forms and compositions of Classical art.